Funny Political Cartoons Biography
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Funny Political cartoons can usually be found on the editorial page of many newspapers, although a few (such as Garry Trudeau's Doonesbury) are sometimes placed on the regular comic strip page. Most cartoonists use visual metaphors and caricatures to address complicated political situations, and thus sum up a current event with a humorous or emotional picture.
Yaakov Kirschen, creator of the Israeli comic strip Dry Bones, says his cartoons are designed to make people laugh, which makes them drop their guard and see things the way he does. In an interview, he defined his objective as a cartoonist as an attempt to "seduce rather than to offend."
While there he began to submit drawings and cartoons to the editor until he was finally published. Rube soon moved from San Francisco to New York to work for the Evening Mail drawing daily cartoons. This led to syndication and a national presence – and the rest is history.
In modern political cartooning, two styles have begun to emerge. The traditional style uses visual metaphors and symbols like Uncle Sam, the Democratic donkey and the Republican elephant; the more recent text-heavy style, seen in Doonesbury, tells a linear story, usually in comic strip format.[original research?] Regardless of style, editorial cartoons are a way for artists to express their thoughts about current events in a comical manner.[
A political cartoon commonly draws on two unrelated events and brings them together incongruously for humorous effect. The humour can reduce people's political anger and so serves a useful purpose. Such a cartoon also reflects real life and politics, where a deal is often done on unrelated proposals beyond public scrutiny.
A founding member of the National Cartoonist Society, a political cartoonist and a Pulitzer Prize winner, Rube was a beloved national figure as well as an often-quoted radio and television personality during his sixty year professional career.
Best known for his “inventions”, Rube’s early years as an engineer informed his most acclaimed work. A Rube Goldberg contraption – an elaborate set of arms, wheels, gears, handles, cups and rods, put in motion by balls, canary cages, pails, boots, bathtubs, paddles and live animals – takes a simple task and makes it extraordinarily complicated. He had solutions for How To Get The Cotton Out Of An Aspirin Bottle, imagined a Self-Operating Napkin, and created a Simple Alarm Clock – to name just a few of his hilariously depicted drawings.
The promise and pitfalls of modern technology make Rube Goldberg’s inventions even more relevant now than when they were originally created. From think-tanks in Silicon Valley, to the New York Times, to Sunday morning’s Meet the Press, hardly a day goes by without the name “Rube Goldberg” being invoked. In fact Rube Goldberg is an adjective in Webster’s Dictionary.
Rube did not build the machines he drew, but his cartoons have become an inspiration to aspiring engineers and scientists across the world.
The Machine Contest brings Rube’s comic genius to life for millions of fans. Covered widely by the national media, the winning team and their working invention have often appeared on late night talk shows like David Letterman, Jay Leno or Jimmy Kimmel Live.
At a time when the U.S. is looking to inspire young minds, Rube Goldberg’s legacy represents the best in American innovation, humor and unconventional thinking; an inspiring model for us all.
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